Moonface (Spencer Krug of Wolf Parade / Sunset Rubdown)

Manic Productions and The Needle Drop Present:

Moonface (Spencer Krug of Wolf Parade / Sunset Rubdown)

Saltland, Violent Mae

Thu, March 13, 2014

Doors: 8:00 pm / Show: 8:30 pm

The Ballroom at The Outer Space

Hamden, CT

$12.00 - $15.00

Tickets Available at the Door

This event is 21 and over

SOLO PIANO

Moonface (Spencer Krug of Wolf Parade / Sunset Rubdown)
Moonface (Spencer Krug of Wolf Parade / Sunset Rubdown)
Since January 2010, Spencer Krug has used Moonface as a venue for home-recorded instrumental and conceptual experimentation, expanding the ideas he developed collaboratively with Wolf Parade and Sunset Rubdown. Releases under this moniker have come quickly, each distinct from the other. The Dreamland EP and Organ Music Not Vibraphone Like I'd Hoped were conceptual excursions merging instrumental and thematic fixations. After moving from Montreal to Helsinki, Krug teamed up with the Finnish band Siinai to create a lush rock record--2012's Heartbreaking Bravery--driven by the dark despair of a breakup. Staying in Helsinki, Krug set off on yet another creative departure, driven by a rediscovery of love and a reconsideration of the Moonface persona he'd created for himself. The quietly stunning Julia with Blue Jeans On is the fourth Moonface release, bringing a degree of intimacy and self-reflection unlike anything Krug has produced to date.
There are only two sonic elements on Julia: Spencer Krug's voice and his piano. Richly recorded, they interact seamlessly with one another. On the opening track "Barbarian," the piano unfolds with the hypnotic energy of Keith Jarrett's Koln Concert, Krug's right hand doubling his vocal melody. On the closing track "Your Chariot Awaits," Krug's voice recedes after a minute as the piano swells for an extended showcase with modern classical undertones. After nearly a decade, across a number of guises, we are well-acquainted with Krug's inimitable town-crier vocals; on Julia, we are introduced to a facet of his musical skill that feels conservatory-trained. This is Krug as singer-songwriter, moving beyond star poses to a vision that is at once more elegant and comfortable.

Or, in Krug's own language, on "Barbarian II": "I have chewed through my beautiful narrative." Much of Julia is taken with this chewing. "Love the House You're In" opens by masquerading as self-pity, with a statement that reads like a press release from someone who's given up. "I regretfully withdraw my offer to try and improve myself," Krug gently sings, establishing a self-reflexive foundation upon which he builds the album's most universal, humanistic sentiment, and which he delivers via its most soaring melody.

Purposeful self-evaluation is one tactic for reinvention, but as Krug illustrates on Julia's title track, everyday occurrences can prove transformative as well. The sight of a woman, clad in denim, briefly visible at the bottom of a staircase, he learns, is capable of "obliterating everything I've ever written down." "Julia" is an ode in the classical sense, pivoting around the beauty inherent in the most simple, taken-for-granted sights. Krug acknowledges this, opening the song by admitting that "it's a madman's game, making the commonplace unreal." What he leaves out in this admission, however, is the key to the countless charms of Julia with Blue Jeans On: by expertly playing this ridiculous game, he can erase the madness that spawned it.
Saltland
Rebecca Foon is a Montreal-based cellist, best known as co-founder of contemporary chamber group Esmerine and member of Thee Silver Mt. Zion, Set Fire To Flames, The Mile End Ladies String Auxiliary, Fifths Of Seven and most recently Saltland. Foon began composing solo work in 2010, featuring multi-layered cello and hushed, stark vocals that explored the intersection of drone, no-wave, improv, dream-pop and minimalism. Joined by Jamie Thompson (Unicorns, Esmerine) on percussion, programming and signal processing, Foon's live performances in Montreal and abroad over the past two years have seen her sound progress towards gently rhythmic and electronic territory as well. She has transfixed audiences with this new music while sharing the stage with Mary Margaret O'Hara, Julia Kent, Nat Baldwin and Sam Amidon, among others. As her largely home-recorded debut album began taking shape throughout 2011, with numerous guests contributing to various pieces, Foon adopted the Saltland moniker for this work.

Rebecca Foon has called Montreal home since moving from Vancouver at age 17 in 1996 and has been a fixture of Montreal's DIY music scene ever since, playing with countless local ensembles in a wide range of contexts and on albums by Vic Chesnutt, Islands, British Sea Power, Carla Bozulich, Land Of Kush and Hrsta among others. She has collaborated in concert with Patti Smith and Warren Ellis (separately), composes work for short film with the National Film Board Of Canada, was a core participant in the National Parks Project music and film documentary initiative, has performed with Tanya Tagaq and as a support player for other Inuit musicians, and scored the documentary H2Oil about Alberta's tar sands oil extraction. Foon pursues all this musical activity alongside her role as a member of Sustainability Solutions Group, a national Canadian urban sustainability cooperative.
Violent Mae
VIOLENT MAE (Becky Kessler & Floyd Kellogg) was never intended to be a band. Becky asked Floyd to record and produce her first solo album, and as soon as they hit the studio, chemistry and dynamics between the two sparked the evolution of an artistic partnership. Their self-titled full-length debut record was released in November 2013. Becky, a songwriter, singer and guitar player, calls the Outer Banks of North Carolina home, where she finally settled as a teenager after moving every year or so, mostly around the Southeast U.S., to 11 different places. A friend invited her to live and work on an organic farm in Connecticut, where she soon met Floyd, a multi-instrumentalist, engineer and producer. The two began recording at Casa de Warrenton Studio in Hartford, expanding Becky’s songs with Floyd’s arrangements and parts. They ultimately formed VIOLENT MAE after making a record, playing all the instruments on it and opening for Nels Cline and Julian Lage at one of their first live performances. VIOLENT MAE won Best New Band at the 2013 Connecticut Music Awards and was recently honored by The Deli Magazine as one of New England’s Top Emerging Artists. A tour through NYC, Philadelphia and North Carolina, along with festival appearances and other shows around New England, have led to opportunities for VIOLENT MAE to perform for varied audiences and to steadily win fans. The duo is back in the studio writing, arranging and recording a second collection of songs and planning tours for spring and summer 2014.
Venue Information:
The Ballroom at The Outer Space
295 Treadwell Street
Building G
Hamden, CT, 06514